Shedding
xiang: violin
alex reviriego: double bass
pere xirau(agile opium serpents): whistling, sinewaves and composition
recorded live at l’automatica, barcelona, october 24, 2025
artwork and design by mees joachim
released by meenna, ftarri, tokyo
august 9, 2026
A Waiting Room Creation
xiang: objects, violin, voice
otomo yoshihide: objects, broken guitar, lips
recorded by xiang at sichuan university, chengdu, china, march 2025
mastered by toshimaru nakamura
cover photo by xiang
design by cathy fishman
released by ftarri, tokyo
february 15, 2026
cover: xiang
Dense Set
1. A1
2. A2
3. A3
4. A4
5. A5
This album proposes a hypothesis from the perspective of sound that there is always a dense relation like in topology between the soundscape X formed by the vibrations of all objects in a specific space and its subset A. Supposing that the spatial properties of sound also conform to the topological research, it could be inferred that A is dense in X.
Perhaps we need a precondition here, not to define and distinguish all objects in space. Try to change our perspectives from humans to animals to observe and feel the world. To me, this is an inevitable and wonderful hypothesis, no matter if it is true or not.
recorded in cambodia and vietnam, 2019
edited, mastered by xiang
released march 14, 2025
i don’t believe it any more
1. i don’t believe
2. any more
yan jun: open input feedback
xiang: ableton live, contact mic
recorded by sun wei, at vital sounding festival nu space, chengdu
november 26, 2020
released by senko issha, taipei
september 01, 2022
cover: Chia-Chun Xu
Ode to Cataphile
from compilation album CraterMonde 3
electronics
released by cratermonde record
december 20, 2021
cover: man tou
cover: liulu
flit bandcamp
I just want to stay
from compilation album Voices from Green Pines
field recording, electronic
released by zoomin’ night
october 29, 2020
cover: xiang
edge and air, me and you
recorded at home, chengdu
11 august 2020
released by amplify 2020
august 17, 2020
cover: sun wei
sonicyard
lee kun, sun wei, xiang
recorded at siheyuan art museum, chengdu
28 april 2020
self publication
july 17, 2020
photo: jiran
a performance
sun wei, xiang
master: xu cheng
sally can’t dance avant-garde music festival
jah bar, chengdu, 2019
cover: liu lu
Deconstruction of Wind
1. f/N
2. d/N+v
3. u/N+v
4. f/S
5. u/S
6. u/S(v)
old fan, contact mic
recorded at home, chengdu
august 2019
released by zoomin’ night
december 25, 2019
cover: formol
Four Taste
1. ripples of love
2. lunch
3. dialogue with time
4. one afternoon
field recording, electronic
all material recorded at various places
from 2017 to 2019
self publication
july 17, 2019
cover: xiang
Tokyo Planktons
1. At daytime, take Ginza Line to Asakusa
2. Gushing out from the bagpipe
3. Little wind bells whisper in the air
4. A sequence of Shibuya Crossing
5. Walk alone with night waves at Makuhari
6. Fireworks climax in the baseball field, with ten thousand strangers
7. Midnight trip in the subway, back with friends
field recording
recorded in tokyo
august 2015
self publication
december 17, 2018
cover: vu
gateway
1. Aura
2. Plexi
3. Polymorphous
4. Leap
5. Influxes
field recording/electronics/vocal sample/contact microphone
recorded at various places
from 2016 to 2018
mastered by: cedrik fermont
released by prajna sonic/atmos, beijing
october 10, 2018
cover: xiang
eon: 6 | 卯
1. The night before, on the way from the factory to Chang Jiang River
2. A train pass by
3. City vibration of the surface of a wharf
4. Insects chirping in the grass on the roadside
5. Tread on the fallen leaves under a big tree on the factory's roof
6. Little branches and leaves above the industrial world
7. At night, move steps very slowly on fallen leaves
8. In the next morning, clean all the fallen leaves from the shadow to the sunshine
field recordings
recorded in huangjueping, chongqing
july 14-15, 2018
self publication
august 24, 2018
design: mingjing yu
Shape
sound: xiang (bandcamp)
image: mingjing yu
recorded the instant shape of the abandon buildings in a three-line-area factory in shuangliu, chengdu, with sound, image and text.
august 2019
self publication
august 29, 2019